The Evolution of a Gel Print

This story begins here, with a few solid colors printed on a piece of watercolor paper.

There were so many things I liked about this original print. The colors are soothing and the overall composition is quite nice. I could have stopped here and been happy. In fact, it may be fair to say I should have stopped here, or at least been a bit more cautious as I proceeded. But as you can see, I forged madly ahead with handmade stencils and more passes on the plate until I ended up here:

Yikes! This definitely falls into the it-seemed-like-a-good-idea-at-the-time category. Even so, I really love how the bottom half came out. As I looked more at this print, I decided it had a split personality and I wasn't sure what to do to make everything work together. So, I cropped my favorite parts, ending up with three smaller pieces.

The beauty of printing on watercolor paper, is that it's sturdy enough for collage. I ended up doing a lot of collage on this part of the print.

 

There was a lot I liked in this section, but I wasn't so happy with the red and gold, so again collage came to the rescue!

And finally, my favorite part of the original print:

For a very process-oriented artist, as I tend to be, this is such a satisfying and enjoyable way to work. 

I'm linking this to Carolyn Dube's Colorful Gelli Print Party and to Paint Party Friday. Check them both out to see all of the wonderfully creative things people are doing with paint! Thank you so much for visiting my blog!  I always appreciate your comments.

Evolution of a Painting

Earlier in the summer, I took a wonderful online class from Diane Culhane, " Between Speech and Silence." I'm planning to blog more about that course in a separate post. In this post, I'm going to show how two of the paintings evolved during the creative process.

Our goal in the paintings was to suggest a story or dialog by including figures. The beauty of this concept is that story is open to interpretation by the viewer. I love creating mystery in my work and this is a fun new way to accomplish that goal. Here is an early version of one of my paintings.

After setting it aside for a few days, I decided that the face was OK, but too big and heavy for the rest of the painting. So instead of the face, I added another bird. It's much more balanced and whimsical to to me now. I wonder what these two birds are saying to each other, don't you? 

This is another painting from the course, again following the idea of creating dialog with figures.

The more I looked at this one, the less happy I felt about it. I decided I didn't like the girl so much, and I wanted to create more interest with the tree. It felt like a children's book illustration to me, which isn't a bad thing, but it wasn't what I really was aiming for. I added some more collage and replaced the girl with an image transfer.

It's so much different now! Overall, I am very happy with the tree, but still not so sure if the bird and face 'go together.' But it's been good to try out the idea of creating a story in my work -- definitely a new concept for me, but a fun way to push myself in a new direction.