Back in Blue

Hello Blog. Remember me? I used to post here about my art. Then a funny thing happened. I started doing even more art and didn't take the time to blog. But now I'm back, at least for the moment. I'm still doing art, but the pace has slowed a bit as I'm in the midst of my academic year as a teacher and have less time for fun.

I'm taking Carla Sonheim's 2016 year long class, Y is for Yellow to help me stay inspired and motivated. Each lesson has a different theme beginning with a letter of the alphabet. For 'B' we painted in the style of Picasso's Blue Period using layers of watercolor and gel medium.  I haven't done much of this type of study and found it to be a wonderful exercise.

"Contemplative Woman in Blue" after Picasso

My version of Picasso's Mother and Child 1901

And my favorite painting from my blue period is this original portrait I did of my great great grandmother.

It feels good to back. I hope to post more soon. 

"Partial Clearing" Mixed Media Collage

Partial Clearing
Mixed Media Collage on Canvas
8" x 8"

I've been busy listing this piece along with some of my other recent work in my Etsy Shop today. This is an original mixed media collage that I originally blogged about here. It is a very textural piece, due to the papers and modeling paste used to create texture under the painting. Thank you for your interest in my art! I'm happy to answer any questions. 

Flower Power: Art Journal Page

I have to admit I love drawing and painting flowers. I've been doodling flowers forever. There are so many possibilities with colors, shapes and lines.

In this journal page, I'm focusing on looking for the positive. Lately I've been hearing so many complaints from my kids. Nothing seems to be right, and certainly I am never right, at least according to them! (Why didn't someone warn me about the teen years before I had kids?). Anyway, it's too late to dwell on that now, so I am reminding myself to look for the flowers. There will always be weeds, but there is also so much that is good and wonderful all around us. I've noticed my own complaining, too, and I'm trying to stop myself and try to set a better example as a parent.

 I had so much fun painting, drawing and doodling this page. I'm afraid it got a little busy, but I like how cheerful it is.

The mysterious figure in the corner is a museum guard, you know those guards who have to sit all day watching to make sure that no one touches or steals the art? I cut the photo out of a magazine because I was intrigued by it. She certainly seems serious. I hope that she gets to see some flowers at some point during her day!

I've been painting lots of floral and garden themed paintings recently. If you're interested in seeing more of my work, go here, or just scroll down my recent posts here in my blog. I also have even more posted at Flickr.

I'm linking this to Art Journal Journey. Check out the other great Flower Power art people are posting there! Thanks so much for visiting my blog. I always appreciate your comments.

"For Her" Mixed Media Floral Painting

"For Her"
acrylic on canvas
8" x 10"

I bought a multi-pack of canvases recently so that I would have plenty on hand. Unfortunately, I'm discovering that I might actually prefer painting on wood panels to canvas. I painted a layer of modeling paste on this canvas before painting to create more texture, and as you can see, it creates a beautiful texture and depth in the painting. I used masking fluid to create the design in the leaves, and I am thrilled with how they turned out. Since I love collage, I couldn't resist adding a tiny bit to this painting and that is how I came to the title for this piece.

Pointillism in the New Millenium

Another Strange Garden
Acrylic on Canvas
8" x 10"

I didn't think I would ever try pointillism. I am a patient person, but the thought of doing an entire painting using little dots of paint has never appealed to me. But Diane Culhane's wonderful online class "Paint Your Garden: The Language of Paint" has showed me a way to use this technique, more as an accent, or a way to add interest and texture. And now that I've tried it out a bit, I really like it!

One thing I've found it is very useful for is balancing color. If I use a color in one part of a painting, I'll make some dots of color elsewhere to help the colors make sense overall. I love it when you can see dots of color under glazing. It also is a way to adjust value by adding more light or dark without changing the base color. And, even though it seems like it would be tedious, I have to admit that it's kind of fun to do.

Have you ever tried pointillism? If so, how did you like it?

Welcome, Paint Party Friday Visitors! Thanks so much for visiting, and commenting.

Painting my Garden

Hello, long neglected blog. It's been a while! But summer is here, and I'm on vacation until September which means I have time for my art once again. For those of you that don't know, I teach ESL part-time at a local college when I'm not doing art. I squeeze in time for art whenever I can, so even though I haven't been blogging much, I have been painting, collaging, and drawing quite a lot this year. I'm focusing more on my painting skills these days and recently took Diane Culhane's wonderful online class "Paint Your Garden: The Language of Paint." Using a garden theme as inspiration, Diane teaches various painting techniques in this class such as pointillism and masking.

Lucifer and Becky

Inspired by the Crocosimia Lucifer and Daisies (Leucanthemum × superbum 'Becky') now blooming in my garden

acrylic on canvas

8" x 10'

I used a lot of masking in this one, both with masking fluid and masking tape. Can you tell where I used the tape? I might go back in and do more line work, but I don't want to lose the spontaneous feel I have. Diane uses the liner brush a lot in her paintings, but so far, I haven't been happy with my results. Like anything else, it will take practice.

Which brings me to another question -- How do you learn from an artist that you admire, but at the same time, keep your own 'voice'? I love Diane's style, but I don't want to copy it (and indeed, I am not able to copy it, at least at this point in time)?

Thanks for visiting today! I appreciate your comments.

Growing Stronger, Updated

This is a piece I've been working for awhile. I started it in January and let it sit for awhile. To see what it looked like then, go here. The more I looked at her, the more I wanted to add more color. I love using the watercolor over gesso technique, but sometimes I want more color. I felt like I was putting her makeup on this morning as I dabbed some pan pastel color here and there! She may be done, or maybe not. I don't seem to be in a hurry with this one at all.

Thanks so much for visiting my blog today. I always appreciate your comments.

I'm linking this with the 29 Faces Challenge . Check it out to see some fabulous work from artists all around the world.

Three more stylized faces on gessoed chipboard today. I love catching glimpses of the text and colors underneath the gesso, as well as the great texture of the gesso. I used a combination of marker and colored pencil. This is actually going to be a little booklet which I will show soon. I'm so busy this week and finding that doing these little faces is a welcome diversion.

Thanks so much for visiting my blog!

Stylized Faces

I don't know that I'm good at stylized faces. I've been doodling faces my whole life, but when I try to be deliberately stylized, I feel a bit of a block. Anyway, here are three attempts at a stylized face, all using the same reference.

I'm call this last one "After the Swim" thanks to her green hair! These faces were so fun to do. They're on pieces of chipboard with a little gesso, then some marker and colored pencil -- another idea from Carla Sonheim's Faces 101 class. I like how each one is very different, even though I was looking at the same photo reference for inspiration.